Sander Cohenedit
From BioShock Wiki
| Sander Cohen | |
|---|---|
| Biographical Information | |
| Born | c. 1910 |
| Birthplace | United States |
| Died | 1960 (choice only) |
| Physical Description | |
| Gender | Male |
| Hair Color | Black |
| Eye Color | Hazel |
| Combat Type | Houdini Splicer |
| Appearances | |
| Appears in | BioShock |
| Voice Actor | T. Ryder Smith |
| Sander Cohen | |
| Health |
2500 (Fort Frolic) 1750 (Olympus Heights) |
| Damage |
80 |
| Location |
Fort Frolic and Olympus Heights (will only attack if provoked) |
- "Cohen's an artist, says some. He's a Section Eight, says I. I've seen all kinds of cutthroats, freaks, and hard cases in my life, but Cohen, he's a real lunatic, a dyed-in-the-wool psychopath..."
- ―Atlas
Sander Cohen is a poet, composer, sculptor and playwright residing in (as well as ruling over) Fort Frolic. Following the descent of Rapture into chaos, he went mad and became sadistically impassive to the deaths and suffering of others. The Splicers within his dominion are subject entirely to his whims, whether in life or death. All around Fort Frolic can be seen examples of his 'art'; plaster models of splicers who are in fact horrifically murdered splicers coated in plaster.
Contents |
[edit] History
Sander Cohen was an artist who lived in New York. Although little is known of his life pre-Rapture, some of the scant information we have tells us that he eventually became colleagues with an Elgar Vankin and Mimi Tabor. It is implied that he converted them to the Ryanist philosophy since they began speaking of a coming utopia with an almost religious-like fervor. It could also be assumed that Cohen's talent as an artist was looked on as dubious at best, given his frequent run-ins with the "doubters" and Lee Wilson Seward's commentary that he was a "fraud". Given Cohen's role of proselytizing the Ryanist philosophy in this case, it seems possible that he and Ryan may have already been close colleagues before the creation of Rapture.
Cohen runs Fort Frolic after having locked the area down to prevent its remaining inhabitants from escaping, and he is the main antagonist of the level of the same name. As with the Medical Pavilion's Dr. J.S. Steinman, he is insane, driven so partly by Plasmids and out of frustration for the lack of appreciation for his work (an Audio Diary reveals that he regrets his decision to move to Rapture). He was given the key to operate the level by Andrew Ryan.
Before Rapture descended into chaos, Cohen was still an important factor in Fort Frolic, owning a gallery of art, as well as producing several albums, the latest of which was the very heavily advertised Why Even Ask? and theatrical shows, one of which, named "Patrick and Moira", was obviously an inspiration for Fontaine and his alter ego. Cohen also wrote the Rapture anthem, "Rise, Rapture, Rise." Cohen was the most notable enemy of another singer/actress, Anna Culpepper, who called him "Ryan's songbird". He used his contacts with Ryan, who specifically chose Cohen to join him in Rapture, to "Put the bump" on her, as said by Security Chief Sullivan, who had to do the dirty work. With the competition gone, Cohen experienced a rare era of extravagance before his downfall into insanity.
Before Jack arrived in January of 1960, Cohen apparently had four disciples, although he may have had more. They were Silas Cobb, Martin Finnegan, Hector Rodriguez, and Kyle Fitzpatrick. All of them either betrayed or displeased Cohen at some point.
[edit] BioShock
When Jack arrives in Fort Frolic Cohen cuts off his radio contact with Ryan and Atlas, stranding him on the level by causing the Bathysphere to submerge. Cohen then toys with Jack, inviting him to Fleet Hall to see a performance. This turns out to be the final performance of Kyle Fitzpatrick, who is plastered to a piano rigged with explosives. After the piano explodes, killing Fitzpatric, Cohen requires Jack to take his photo and place it in his "Quadtych," a masterpiece that he says people will remember him by when he is gone. Cohen then sends Jack to Poseidon Plaza, promising to let Jack take the Bathysphere to Ryan only after Jack has killed and photographed his remaining three desciples, placing each photo in his Quadtych.
Once the third photo is placed in the Quadtych, Cohen has a paranoid moment, calling Jack a "doubter" and sends some splicers to kill him (with the lights dimmed, a spotlight on Jack with "Waltz of the Flowers" from The Nutcracker by Tchaikovsky[1] playing), but Jack fights them off long enough for Cohen to calm down.
After the player completes the Quadtych, Cohen finally reveals himself, amongst a host of spotlights and confetti, descending the staircase in the Atrium of Fort Frolic to congratulate Jack on his work. Cohen then rewards Jack by opening one of the glass cases near the stage.
If the player chooses not to kill Cohen at Fort Frolic then Jack will encounter him later in his apartment at Mercury Suites.There Cohen welcomes him into his home saying "Come into the light, little moth, come in. " Jack enters and sees two Houdini Splicers dancing to the music of a precariously balanced phonograph. If the player disrupts the dancers and kills them then Cohen will descend from his room upstairs and attack. However, if the player leaves the dancers alone then it is entirely possible for Cohen to survive the events of BioShock.
[edit] Cohen's Gifts
The Victims are the same in the PC , PlayStation 3, and Xbox 360 version.
- Victim 1: Kyle Fitzpatrick, on the stage of Fleet Hall. Reward: Crossbow. Steel-tip Bolts can be bought from the Ammo Bandito in the Cocktail Lounge (across from Marquis D'Epoque Tobacco), as well as at 3 Vending Machines in Poseidon Plaza. Incendiary Bolts can be bought at 5 machines in Fort Frolic.
- Victim 2: Martin Finnegan, in the Frozen Tunnel. Reward: 10 Antipersonnel Auto Rounds, $20, 3 First Aid Kits. Bonus: Frozen Field tonic on Finnegan.
- Victim 3: Silas Cobb, in Rapture Records. Reward: 5 Electric Buck, $20, 20 Electric Gel. After the player posts Cobb's picture but before they get their reward, Sander throws approx. 20 splicers at them. They are comparatively easy to kill, and have a bit more loot than usual (First Aid Kits, Frag Grenades, Buck, etc.).
- Victim 4: Hector Rodriguez, in Eve's Garden. Reward: Cohen opens his Muse Box containing Medical Expert 2 tonic. Bonus: Cohen's office is now open and contains Electric Flesh, 2 Antipersonnel Pistol Rounds, 3 Armor-Piercing Pistol Rounds, 1 EVE Hypo, and 10 Film.
The player can kill Cohen in Fort Frolic at this point, but if they do, they won't get access to his Power to the People machine in Olympus Heights.
- Victim 5: Sander Cohen, in the Mercury Suites of Olympus Heights. Reward: $100, 8 Incendiary Bolts, and 3 Spider Splicer Organs in Cohen's Muse Box (back in Fort Frolic). Bonus: $87 and 36 Antipersonnel Auto Rounds on Cohen, and the Power to the People machine and a fair amount of ammo up in his room.
- Victim 6: Sander Cohen - again - after burning his Quadtych in Fort Frolic. Loot: five Trap Bolts and twelve Film - and another Muse Box key. (NOTE: See the Bugs/Glitches section below.)
[edit] Achievements/Trophies Related to Cohen
[edit] Both Xbox 360 and PS3 Specific
- Where the player chooses to kill Cohen affects which achievements/trophies one can obtain. If the player lets Cohen live in Fort Frolic, they will be able to gain access to a secret area in his living quarters in Olympus Heights later in the game. Entering the second floor of his apartment will give the player an achievement/trophy and an otherwise unattainable Power to the People vending machine.
- To gain access, simply disrupt the two dancing Houdini Splicers in his apartment either by attacking them, knocking over their record player, or playing the piano. Cohen will then come down to kill the player. Obtain the second achievement/trophy by taking a photo of his corpse.
- An easy way to kill Cohen is to place a number of Proximity Mines at the doorway to the upstairs level of Cohen's apartment. Then, kill the dancers from a distance and wait for Cohen to come down. If done correctly, he will walk right into the Mines and kill himself instantly.
- If the player wants to kill Cohen right away, one may attack him in Fort Frolic. He is relatively strong and uses a similar attack pattern to a Houdini Splicer except with more health, and a much larger teleportation range. When he is dead, search his body to find some EVE Hypos and a key, which will grant one access to the second glass case containing the muse box, for some money and items.
- To receive both achievements/trophies quickly, simply save in Fort Frolic after Cohen has revealed himself, but before one attacks him. The player may then initiate a fight. Once he is dead, take his photo to unlock the achievement/trophy and then reload one's save to before having attacked him. Then allow him to live, and leave the level without attacking him.
[edit] PC Specific
Killing Cohen in Fort Frolic is sadly pointless, because there are no special achievements in the PC version and the treasure inside the muse box is pathetic. Although, if the player does not attack Cohen in Fort Frolic, they will be able to gain access to a secret area in his living quarters later on in the game in Olympus Heights which in turn will give them access to an otherwise unattainable Power to the People vending machine. To gain entry to the second floor of Cohen's apartment, simply disrupt the two dancing Houdini Splicers in his apartment, Cohen will then come down to kill the player.
If one waits to kill Sander in his apartment in Olympus Heights, the player may still salvage the key to his Muse Box at Fort Frolic. Simply return to Fort Frolic via bathysphere to claim the treasure.
[edit] Audio Diaries
[edit] Videos
"Best Part in Bioshock" | Meeting up with Sander Cohen |
Sander Cohen in Mercury Suites | Sander Cohen's Audio Diaries |
[edit] Gallery
[edit] Bugs/Glitches
- Xbox 360: Sometimes, when killing Cohen in his apartment, he may randomly fall through the small stairs by the entrance to his apartment, making him impossible to reach. (Not PS3 tested yet)
- If one chooses to wait to kill Sander Cohen in Olympus Heights, the player may return to Fort Frolic after killing him, set the Quadtych on fire, and he will reappear in a rage. This is either a "known issue" or an odd story dynamic; if Cohen is related to Ryan, he could use a Vita-Chamber--he can certainly use the bathysphere, as there is no other known way to Olympus Heights from Fort Frolic, and he beats the player there--and it would explain his sudden reappearance. (Confirmed for: PC, Mac, and Xbox 360)
- If the player uses telekinesis to take Cohen's mask off while he is walking down the stairs, he will take another one off when he reaches the second set of steps.
[edit] Trivia
- Sander Cohen and Andrew Ryan are the only characters in Bioshock with their own unique and specific character models rather than a reused and slightly tweaked Splicer model.
- Cohen is the only Splicer to sport a gold/bronze rabbit mask rather than the common white/grey ones.
- If the player looks carefully at the necks, of Cohen's plaster statues most seem to bleed from there, suggesting that their throats were slit. (It should be noted that any plaster statues in the shape of Little Sisters seem to be actual statues, as when they are whacked or harmed, they do not bleed or make the appropriate sounds. This is probably because Sander Cohen would have had to fight a Big Daddy to get through to its Little Sister.)
- Sander Cohen's character was inspired by "the man who owned Broadway" George M. Cohan, an American entertainer, playwright, composer, lyricist, actor, singer, dancer and producer in the 1900-1920s.[2]
- In Eve's Garden, as Jack walks to the bedroom, the door is closed and Jasmine Jolene's ghost can be heard inside. Through the crack at the bottom of the door, an eerie shadow is cast in the red light. That shadow is made by two Sander Cohens using the ghost pole dancer animation. The animation plays twice, followed by the disappearance of the Cohens. This can be seen by using console commands to disable the clipping (on the PC).
- Oddly enough, if the player somehow manages to get a Splicer to attack Cohen's "masterpiece" (like using the Target Dummy plasmid), Cohen will attack the player, rather than the Splicer that disturbed his work.
- If the player puts a Target Dummy on or near Sander Cohen, and manages to get a Splicer to attack him, Cohen will ignore all damage and continue to admire his art. Amusingly, if a Houndini Splicer or a Nitro Splicer manages to light Cohen on fire, he'll simply stand there and take damage from the flames. When the flames pass, his skin will be burnt, yet he'll not even attempt to attack the Splicer or Jack, unless one of the Splicers hit Cohen's "masterpiece".
- If the player chooses not to kill Sander Cohen at any point in the game (As they are not obliged to), then he becomes the only villain in the game to survive.
- Cohen is the only enemy that will attack the player if hit with Security Bullseye.
- Cobb, Finnegan, and Rodriguez all refer to Cohen as an "old fruit," a reference likely made due to his ambiguous sexual orientation.
[edit] References
- ↑ The Nutcracker, by Tchaikovsky, on Wikipedia
- ↑ George M. Cohan on Wikipedia


