- "Even in a utopia, someone has to clean up the mess. That's where I come in. The girl promised me a way out, and I was desperate enough to believe her. We were all buried at sea; we just didn't know it yet."
- ―Booker DeWitt
Burial at Sea - Episode 1 is the first part of the story-driven downloadable content of BioShock Infinite, which was released on November 12th for $15.00 USD on PlayStation 3, Xbox 360, Windows PC and OSX. It is also free to purchasers of the Season Pass. This campaign puts the player in the perspective of Booker DeWitt in a new story, taking place in the city of Rapture right before its fall.
This new campaign features the city of Rapture rebuilt from scratch with game mechanics and the Unreal Engine 3 used for BioShock Infinite. It includes new weapons, new Plasmids (similar to Vigors), new Gears, and Tears. The first half of this first episode focuses mostly on the exploration of business streets of Rapture and its story, while the second half focuses on combat mechanics close to that of the first BioShock game, with scarce resources and tighter spaces as opposed to the larger, open areas of the main game.
As opposed to BioShock Infinite, Burial at Sea - Episode 1 also features stealth execution to instantly kill (or in two strikes depending on the difficulty) an unalert enemy at full health. Also in a way similar to the original game, locations feature more optionable and explorable areas, containing loots, ammunitions or even new weapons and plasmids. Some new puzzle mechanics requiring Plasmids are also introduced, such as casting short-circuited switches with Shock Jockey to unlock doors or create ice bridges with Old Man Winter to enter new areas.
Finally and as opposed to BioShock Infinite, this downloadable content proposes a weapon wheel similar to the Plasmid/Vigor one, allowing the player to carry all weapons instead of replacing them.
In the city of Rapture, a different place and time that shares simiarities to Columbia, Booker Dewitt is a well-known private investigator, usually handling dirty work for his clients. On the eve of 1959, a mysterious woman by the name of Elizabeth asks him to investigate the disappearance of a young girl named Sally. Elizabeth's intentions are vague and she is unwilling to reveal any vital information, only that Sally is alive and elite artist Sander Cohen may have the information regarding her whereabouts. The duo journey to Cohen's at High Street, but are denied entrance to the club. Needing the masks specifically crafted for the club's exclusive party guests, Booker and Elizabeth search the nearby shops. With Elizabeth acting as flirtatious decoy, Booker is able to retrieve the required mask and the two are welcomed into Cohen's party.
As they enter the Garden of the Muses, Cohen is working on his latest piece of "performance art." However, it falls short of the obsessive artist's high demands and he disposes of the models. After the "light show," Booker and Elizabeth confront Cohen about Sally. He expresses suspicion of malevolence in Elizabeth, but agrees to reveal Sally's location if Booker and Elizabeth dance to inspire his muse. Faced with no other options, the two waltz. It is only moments before Cohen once again finds error and knocks them unconscious. However, he does keep up his end of the bargain: he drags them to a Bathysphere, claiming it will take them to Sally.
When Booker and Elizabeth awake, they notice the Bathysphere is headed away from the city and down to the seafloor where Andrew Ryan had recently sunk Fontaine's Department Store. Via shortwave radio, Cohen reveals that Sally is residing in the Housewares section, but Booker and Elizabeth must get to the tram to reach it. When the two arrive at the main building, they are immediately attacked by the Splicers Ryan imprisoned in the now buried department store. After defeating numerous enemies, Sally is discovered lurking in the ventilation system. The two close up all but one vent to trap Sally when they increase the temperature to force her out. Sally starts screaming due to the heat and flees to that one vent exit.
Afterwards, when Booker attempts to pull her out, he discovers she is now a Little Sister (as he feared). Booker is shocked and when he aggressively tries pulling her out again, she calls for her Bouncer Big Daddy, who then attacks Booker. Booker and Elizabeth engage the Big Daddy and manage to kill him, allowing Booker to attempt to reason with Sally, but to no avail. Booker, struggling to recover her, recalls his previous memories that were "hazy" to him before. In a flashback, Booker is revealed to actually have been a regretful Zachary Hale Comstock, who bargained with Robert and Rosalind Lutece to steal Booker's child, Anna, but (in a universe alternate to those of the Infinite story) ended up killing her by accidentally having her head instead of her pinkie finger cut off when the portal closed in his fight to take her. Booker (Comstock) comes to, remembering he had the Lutece twins move him to Rapture through their Tear device so he could forget and get away from his troubles. As a side effect of going to Rapture through the device, he lost his memories of being Comstock and failing to steal Anna and resumed his life of being a Private Investigator as Booker Dewitt. Elizabeth, infuriated by Comstock's attempt at kidnapping her when she wasn't his true child, doesn't accept Comstock's apology and instead says to him he will be sorry. Comstock is then impaled by a Big Daddy's drill from behind. The screen cuts to black, thus concluding Episode One.
- Bert Unger
- Edith Crenshaw
- Herschel Weiss
- Moses Lydocker
- Ray Lardner
- Roscoe Mullins
- Shirley Womack
- Yi Suchong
- Andrew Ryan
- Anna Culpepper
- Bill McDonagh
- Brigid Tenenbaum
- Frank Fontaine
- Franklin Crenshaw
- J.S. Steinman
- Jasmine Jolene
- Jeremiah Fink
- Kyle Fitzpatrick
- Market Street: The first area of Rapture Booker roams to assist Elizabeth to find and question Cohen.
- High Street: An upper class area located above Market Street and the location of Cohen's Club.
- Fontaine's Department Store: The recently sunken building that imprisons Fontaine's Splicer army.
- Housewares: A section of Fontaine's Department store where Sally is hiding.
Concept and Promotional ArtEdit
Behind the ScenesEdit
- The inspiration for the cover art comes from the French poster of the 1942 film noir, This Gun for Hire.
- The scene where Comstock is impaled by a Bouncer from behind is homage to a Splicer being impaled by a similar Big Daddy in the first trailer of BioShock.
- Some of the heads used for the Splicer models were updated models of the Waders Splicer from the original BioShock.
- All weapons in Rapture are identical from Columbia, with an exception of the Carbine (which functions more like the Burstgun), Tommy Gun, and Radar Range.
- Even though Burial at Sea - Episode 1 uses BioShock Infinite's engine, several content from the previous games in the series are also reused, such as various posters and Rapture public address announcements, sound effects and even models such as television sets or jukeboxes.
- ↑ Irrational Games announces Burial at Sea Episode 1 Release Date on Twitter
- ↑ Burial at Sea Recreating Rapture Video Interview on IGN
- ↑ French poster for This Gun for Hire.